Around San Polo
||Castello||Picture of the Week
Polo, more precisely the Rialto
district, was and still is the commercial hub of Venice. Seat of the Banco Giro and Banco di Rialto, two leading
banking institutions in 16th-century Europe, as well as the best
goldsmiths in the city, the Rialto may have lost some of its past
but still retains an aura of mercantile dynamism in its fruit,
and fish markets, its many bacari,
osterie, and artisan
Marco, we cross the Rialto Bridge from where, to our right, we can
admire the Palazzo dei Camerlenghi
built in 1525 to accommodate the offices of state finance magistrates.
The bridge itself was finished in 1591 after a very lengthy process in
which projects by Michelangelo, Palladio and Sansovino were considered
before the Signoria settled
for a design by Antonio da Ponte. The views from the
Rialto Bridge are among the most photographed in the world. No
tourist who comes to Venice leaves without a picture from this bridge.
Neither did I in the autumn fog, late-summer light and winter snow.
|Map of Venice|
|The church of San Giacomo di
Rialto, affectionately called San
because of its small size, is said to be the oldest in Venice,
associated with the mythical foundation of the city in 421. The
building dates from the 11-12th century and was restored on numerous
occasions. The beautiful clock on the façade dates from 1410.
from the church is the Colonna del
Bando, with the steps leading to it supported by the Gobbo di Rialto (Hunchback of
Rialto) from where official announcements were read to the public in
the time of the republic. It is likely that the word bandit originated in these pietre del bando (there is also one
in Piazza San Marco) making
reference to the outlaws so proclaimed from such places.
Campo San Giacomo di Rialto
and the Grand Canal is the Rialto
Market, a cornucopia of
fresh produce, meats and fish. To the American eye, so used to
perfectly wrapped little packages of sterilized food, a stroll through
this market is a sensual feast and a journey of discovery. Highly
recommended for grade schoolers.
We leave the Rialto Market behind and walk along one of the busiest streets in the city, Ruga Vechia S. Giovanni, lined with trattorie, bakeries and souvenir shops.
If we take a detour on Calle dei Do Mori, on our right, we will find one of the oldest and most emblematic bacari in town, Do Mori. Patronized mainly by locals, it's the perfect spot to have a light lunch or a before-dinner appetizer. The cicheti are very creative and the wines, directly poured from oversized demijohns, offer a taste of local flavor. It is said that Casanova mingled here.
|A short distance away on Calle de l'Arco, San Polo 456, there is a peculiar doorway with a wide opening at the bottom used to roll barrels in and out of the storehouse. A basrelief of a barrel can be admired at San Polo 551, on Campo Rialto Novo, on the other side of Ruga Vechia S. Giovanni, along with a relief of a tree, emblems of the guilds of boteri (barrel makers) and silk workers, respectively.|
|Nearby on Calle del Sansoni at the intersection with Ramo de la Donzela, San Polo 963, there is a crooked doorway, so out-of-plumb but around which everything seems to fit so perfectly, that one can't help but wonder whether it became slanted as a result of the soil subsiding or just bad but whimsical and resourceful craftsmanship.|
on the Ruga Vechia
which soon narrows and becomes Rugheta
Ravano. At the end of
one of the side streets, on our left, we can see the church of San
Silvestro. At number 1091 the painter Giorgio Barbarella of
Castelfranco, known as Giorgione
had his residence. His groundbreaking La
Tempesta can be admired at the Accademia
|The street ends at Campo
Sant'Aponal with the deconsecrated church dedicated to Sant'Apollinare.
Beautiful reliefs grace the Gothic façade. On the right side is Calle del Perdon and Sotoportego de la Madonna. Pope
Alexander III took refuge here, incognito, in 1177 while running away
from Emperor Barbarossa. He granted plenary indulgence to anybody who
says one Our Father and one Hail Mary while standing at the sotoportego. In
remembrance of his stay, a carving of the resting Pope
can be admired at the entrance of the sotoportego,
the capitello dedicated
to the Madonna.
I had my Venetian baptism at the end of this sotoportego on Rio de le Becarie. The view of Ponte Storto that hot summer
afternoon was mesmerizing. It captured a full range of sbarlusego, or water reflection,
under its arch... and there I went, trying, and only trying, to capture
it. A sandolo moored by the
steps saved me from total immersion as I clutched at its side. Water up
to my neck was refreshing
enough on that hot summer afternoon. The picture of the bridge shown
here was taken from a different
angle and on
a different occasion.
|From Calle del Perdon we reach Campiello dei Meloni. If you look
up to your left, you'll see one of the most attractive collections of
Gothic windows in the city. In the corner shop, Pasticceria Rizzardini
in Venetian dolci: pavana, zaletti,
busolai and marzipan cakes. Enjoy.
|We climb on Ponte de la Madoneta and soon
reach Campo San Polo. This is
the perfect spot for a mid-afternoon break. The campo is one of the
largest in Venice and its trees offer generous shade to humans and
sparrows alike. Facing the campo
is the pharmacy "Alla Colonna e
Mezza" (column and
a half) a name cut to
order to distinguish it from another pharmacy near San Canzian in
Cannaregio called "Alle Due Colonne"
The emblem can still be seen by the door. We will later come back to Campo San Polo.
|We continue on Salizada San Polo. To our left, the
guardians of the campanile look
at us. They were also witness to a crime. On February 26,
1548, Lorenzino de' Medici and his uncle Alessandro Soderini were
assassinated, just a few steps away in front of his lover's house, by a
hit man hired by Cosimo de' Medici as a pay back for the murder of
Alessandro de' Medici committed by Lorenzino some ten years prior.
Alfred de Musset's play "Lorenzaccio" (Bad Lorenzo) is based on Lorenzino's life.
specializes in typical Venetian prints and original woodwork is
Ponte San Polo and
continue on narrow Calle dei Saoneri
at the end of which, off Rio
dei Nomboli, is the street with the most poetic of
names: Calle Amor dei Amici
(Love of Friends).
|We cross Ponte San Tomà and reach Campiello and Campo San Toma. The church of San
Tomà and the Scuola dei
Calegheri (shoe makers) flank
campo. Two beautiful representations of the Madonna
della Misericordia can be
admired in this corner of Venice, one on the side of the church and the
other above the portico of the scuola.
Beside the church is a quintessential Venetian sign offering you a choice of names for one street, three in this case: Campaniel or Civran or Grimani.
We exit Campo San Tomà behind the Scuola dei Calegheri and take Calle Larga. This leads us to Campo dei Frari and the church of Santa Maria Gloriosa dei Frari. To our left is Campo San Rocco, the church of San Rocco and the Scuola Grande di San Rocco, the most important repository of Tintorettos anywhere in the world. Visit it only at your own risk. Contrary to the soothing Carpaccios and Bellinis, in my opinion, too many Tintorettos can be hazardous to your health. A visit to the Frari church is a must if only to admire Titian's altarpiece Assumption of the Virgin, Donatello's Saint John the Baptist and the breathtaking triptych by Bellini of the Madonna, Child and Saints (in the sacristy).
|Across from the church
is Caffè dei Frari.
The legendary cat Nini is
pictured on the window. Nini
was famous in life and in death. He had his own guest book where the
likes of Verdi and Alexander III, czar of Russia, signed the pages. A
wake was held when the cat died in 1894 and poems were written in his
honor. Here is a poem written by Horatio Brown, frequent visitor to the
nearby State Archives and the caffè:
"What wit and learning died with you,
What wisdom too!
Take these poor verses, feline cat,
Indited by an Archive rat."
The caffè, with a beautiful mezzanine, comfortable tables and a fin-de-siècle atmosphere, is worth the visit.
|We walk along Fondamenta dei Frari, cross Rio de San Stin and reach Campo S. Stin which we traverse
diagonally to Calle del Magazen
we turn right. A few steps away is Scuola
Grande San Giovanni Evangelista. One
of the six Scuole Grandi (the other five were S. Maria della
Misericordia, S. Maria della Carità, San Marco, San Teodoro and
San Rocco). The building has been restored not too long ago
and can be visited. The entrance screen with the eagle above the
doorway, symbol of Saint John the Evangelist, is the work of Pietro
Lombardo. The great stairway, a work of Mauro Coducci, is a Renaissance
|We retrace our steps to Campo San Stin and exit it by Calle de Ca' Donà that,
after the bridge, takes us to Campiello
Soon we are in Campo
Sant'Agostin. One of the side streets is Calle Bajamonte Tiepolo (used to be
called Calle Ca' Tiepolo).
Bajamonte Tiepolo was the leader of the infamous 1310 insurrection (you
may remember him from the "Lady with
the Mortar" story in San Marco). For many generations the noble
Tiepolo family had their house on this street until it was demolished
as punishment for Bajamonte's plot. Architectural details that belonged
to the house can still be admired on the façade of the tiny
chapel on Campo San Vio. A
nearby window sometimes works as an eco-friendly fridge, at least in
We continue on Rio Terà Secondo and make a right turn on Calle del Scaleter. We cross Ponte Bernardo and soon we are back in Campo San Polo.
Winter or summer, Campo San Polo is the perfect spot to unwind and watch Venetians and tourists go by. The impressive Palazzo Soranzo used to be on the bank of a canal, since filled-in. The canal, Rio San Antonio, can be seen in de' Barbari's engraving.
|In one of the corners of the campo, Palazzo Corner Mocenigo (San
Polo 2128 and 2128b) used to be the house of Gattamelata, the famous mercenary
who fought for Venice (among other Italian cities) in the first half of
the 15th century. In the late 18th century Giovanni Corner lived and
died in the palazzo and had
two doors opening into a single vestibule. One door being used by the
living and the other by the dead on their way to the cemetery. What it
is not clear to me is which one is which...
|Portrait of Gattamelata (or perhaps
just a young warrior) attributed to Giorgione
Galleria degli Uffizi, Florence.
|We leave the campo by Sotoportego Cavali and make a left
turn on Calle de la Furatola.
We cross the canal and arrive at the sotoportego
of the same name at the end of which is one of the most beautiful
corners of Venice, Ponte Storto.
Walk around this area and admire the many paterae and basreliefs that grace the walls. A nearby vera da pozzo, with pulley and bucket, inside an enclosed garden completes the scene.
|We leave the area by Sotoportego de le Carampane and
reach Calle dei Boteri. Osteria Al Garanghelo is
perfect place to have lunch or dinner. It offers an eclectic menu
of "light" Venetian dishes with emphasis on using little fat and sugar.
The time I visited I ordered some fantastic gamberi in saor (steamed prawns
with onions, olive oil, lemon and a touch of parsley) and a superb fegato a la Veneziana. The bread
was excellent and so was the service. In the rare event that you crave
something other than Italian food, a nearby Chinese restaurant may do
it for you.
|At the end of Calle dei Boteri there is an
unobstructed view of Ca' d'Oro. We leave the area by Calle de le Becarie that takes us
back to the Pescaria, the
Rialto district and the end of our tour.
|Spoils of the fall; dried on the steps of